"At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance."

T. S. Eliot
Burnt Norton




Sunday, April 10, 2011

Wednesday, September 22, 2010

Theories of Time and Space, by Natasha Trethewey

You can get there from here, though
there's no going home.

Everywhere you go will be somewhere
you've never been. Try this:

head south on Mississippi 49, one-
by-one mile markers ticking off

another minute of your life. Follow this
to its natural conclusion dead end

at the coast, the pier at Gulfport where
riggings of shrimp boats are loose stitches

in a sky threatening rain. Cross over
the man-made beach, 26 miles of sand

dumped on the mangrove swamp buried
terrain of the past. Bring only

what you must carry tome of memory,
its random blank pages. On the dock

where you board the boat for Ship Island,
someone will take your picture:

the photograph who you were
will be waiting when you return.

"Theories of Time and Space" by Natasha Trethewey, from Native Guard. © Houghton Mifflin, 2006

Tuesday, September 7, 2010

Avalanche Creek, Glacier National Park

The three photos used to develop these HDR images were created on August 20, 2010, on a hike from the Avalanche Lake Campground to the lake. it's a well developed, highly used trail following the creek to its source.
They were created using Photomatix, slightly modified in  iPhoto.
It was created from three exposures bracketed around the main image:
Shutter: 1/8
Aperture: f/16
Focal length: 59mm






This one used three photos bracketed around this exposure:
Shutter: 1.3
Aperture: f/16
Focal length: 17mm



Sunday, August 29, 2010

Glacier National Park

We came across this mother/child (nanny/kid?) on a well used hiking path from Logan Pass to the Hidden Lake Viewpoint.  Because the area is so heavily used by us humans, the wildlife tend to go about their business, ignoring us as long as we stay ten feet away or so. Oddly, this affords a great opportunity to observe wildlife in their natural, daily routines.

I swear the kid is giving her mom a smooch, but was told by someone else its a cleansing behavior?


Saturday, August 28, 2010

Butte, Old Town Signs


I love the  painted signs on building walls of Old Town, Butte, Montana.  
I shot these August 13 and 14, 2010, while there for the An Ri Ra Festival  
















Monday, August 2, 2010

Paris, Quai St. Michel

May 25, 2010
A near-midnight walk along the Seine It's a pretty simple shot, with minimal doctoring in iPhoto. Its couple clusters and soft light capture a bit of that romance associated with Paris nights. I like the bike, alone. One of the stories in there.

Canon 40D with a fixed 50 mm f/1.4 Canon lens
Monopod
Shutter: 1/15
Aperture: f/1.4
ISO: 320

Friday, July 30, 2010

Luxembourg Gardens

(This is an edit of an earlier post. I decided to use a 2-exposure HDR, rather than the 3-exposure posted earlier. I think it gives richer colors and better focus--without inhibiting the artificiality of the scene)


I have been playing with High Dynamic Range imaging (HDR) to capture the luminescence in both the bright and shadowy part of a scene. Sometimes the results can look "painterly," as some commenters have noted. Sometimes it can look otherworldly--unreal. This picture, the product of two bracketed shots, was taken of a grassy area in front of a sunny area--all in the Luxembourg Gardens. I think I like the way the picnickers seem to have been dropped into a scene they really don't belong in.